Flux pavilion 201711/21/2023 ![]() I have finally started to hone in on that and understand my own music and my own writing and what I really want to achieve with electronic music. Do I want to keep on putting out singles, do I want to do records, what do I want to do? And the result of all that thinking was that I'm not done with what Flux Pavilion is.įrom the start, Flux Pavilion was this organic thing that happened and I've spent the last five years thinking, “What am I doing? What is this? What have I created?”. So I never try to up myself because that gives the impression that I knew what I was doing in the first place.Ī: I kind of asked myself a couple of years ago where I wanted to take Flux Pavilion. But, for the rest of us, were just writing music that we dig and sometimes that connects with way more people. If you try to better yourself, you kind of include the idea that you knew what you were doing in the first place, and really there's only a handful of people who can write a hit and know it will be a hit. I feel like that is where you have the potential to up the game. I put pressure on myself to side-step and not keep repeating myself. Is there pressure to up the game whenever you do something new?Ī: No. Q: Those two songs, in particular, put you on the map. For me, I feel like my big break in the scene was doing something different, doing a mixture of the two like, “I Can't Stop” and “Gold Dust”. I feel like sometimes when there's the idea of chords in electronic music, it's these happy love songs and then when it's gonna be something hard, they'll just write a one-note banger. I feel like my own perception of what I do is British in its approach and musical. It is what it is.Ī: Interesting question, really. Other than that, I don't have a festival set, I don't have a crowd-pleaser set, I've just got my Flux Pavilion set. There's a different energy and sometimes in a smaller venue, I'll veer off into a little of drum and bass for like 10-15 minutes. Q: You're about to take the stage here at the Hollywood Palladium, is there a difference for you between a venue and a festival?Ī: Well, the size, that's a difference. I always do me and I don't really play a set to make people happy, unless Flux Pavilion makes them happy. I feel like I experiment with all of my sets, essentially. ![]() Q: Do you experiment with your sets when it comes to playing at festivals like EDC?Ī: Not really. Over the past few years I feel like I have reconnected with the more aggressive side of Flux Pavilion and I feel like it really fit well at the BassPod this year. It is such a legendary thing, I was really excited about it and it couldn't have gone better. It seems like I should have done the BassPod many times already. Q: You recently played at EDC Las Vegas, how did that go?Ī: It was my first time playing at BassPod, interestingly enough. Most artists that I interview tend to look at themselves as one and the same, but Steele makes a point to mark that differentiation. I make that distinction because, as you're about to read, Steele speaks about Flux as a third-person, a sort of alter-ego. Just an hour prior, I was backstage candidly speaking with Joshua Steele, Flux Pavilion‘s real name. Donning aquamarine-blue hair and silver Glitter that covered half of his face, Flux Pavilion showed no signs of stopping as he spinned throughout the night. Standing in front of it was the man responsible for all of this. Ahead of me, mesmerizing visuals were being displayed on a giant LED screen as lasers poured out into the crowd below. The latter finds the producer experimenting with a broader range of sonic influences and collaborating with The Chain Gang of 1974, Nevve, Feed Me, What So Not, and others.Standing on the second level balcony of the Hollywood Palladium, I had a birds-eye view of the jam-packed floor, with hundreds of fans spilling over into the concourse area, all headbanging and dancing to the beat of the music. Flux Pavilion has released two studio albums: 2015’s Tesla and 2020’s.It was his third Top 10 hit on the UK dance charts. With the 2012 single “Daydreamer,” Flux Pavilion logged his first Top 40 hit on the UK pop charts.A year later, it became the backbone sample of Kanye West and Jay-Z’s Watch the Throne track “Who Gon Stop Me.” His 2010 single “I Can’t Stop” was a massive hit on the club scene. ![]() In 2009, he founded Circus Records with fellow UK dubstep dynamo Doctor P. ![]() The day after he saw English DJ and producer Rusko perform in London, Flux created his first dubstep track. Flux Pavilion-born Joshua Steele-discovered dubstep while studying to become a music teacher in 2008.English DJ, producer, and Circus Records cofounder Flux Pavilion was one of the first UK dubstep names to cross over to the US market, though he’s never shied away from expanding his sonic palette. ![]()
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